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Basilica of Saint-Paul's-outside-the-Walls

Transcribed by Christine J. Murray

This article is reprinted here with the kind permission of Kevin Knight, who has undertaken a project to transcribe an online version of the 1907 Catholic Encyclopedia.

(San Paolo fuori le mura).

An abbey nullius. As early as 200 the burial place of the Via Ostia was marked by a cella memoriæ, near which the Catacomb of Comodilla was established. In 386 Theodosius began the erection of a much larger and more beautiful basilica, but the work including the mosaics was not completed until the pontificate of Saint Leo the Great. The Christian poet, Proudentius, describes the splendours of the monument in a few, expressive lines. As it was dedicated also to Saints Taurinus and Herculanus, martyrs of Ostia in the fifth century, it was called the basilica trium Dominorum. Of the ancient basilica there remain only the interior portion of the apse with the triumphal arch and the mosaics of the latter; the mosaics of the apse and the tabernacle of the confession of Arnolfo del Cambio belong to the thirteenth century. In the old basilica each pope had his portrait in a frieze extending above the columns separating the four aisles and naves. In 1823 a fire, started through the negligence of a workman who was repairing the lead of the roof, resulted in the destruction of the basilica. Alone of all the churches of Rome, it had preserved its primitive character for one thousand four hundred and thirty-five years. The whole world contributed to its restoration. The Khedive of Egypt sent pillars of alabaster, the Emperor of Russia the precious malachite and lapis lazuli of the tabernacle. The work on the principal facade, looking toward the Tiber, was completed by the Italian Government, which declared the church a national monument. The interior of the walls of the nave are adorned with scenes from the life of Saint Paul in two series of mosaics (Gagliardi, Podesti, Balbi, etc). The graceful cloister of the monastery was erected between 1220 and 1241. The sacristy contains a fine statue of Pope Boniface IX. In the time of Pope Gregory the Great there were two monasteries near the basilica: Saint Aristus's for men and San Stefano's for women. Services were carried out by a special body of clerics instituted by Pope Simplicius. In the course of time the monasteries and the clergy of the basilica declined; Saint Gregory II restored the former and entrusted the monks with the care of the basilica. The popes continued their generosity toward the monastery; the basilica was again injured during the Saracen invasions in the ninth century. In consequence of this Pope John VIII fortified the basilica, the monastery, and the dwellings of the peasantry, forming the town of Joannispolis, which was still remembered in the thirteenth century. In 937, when Saint Odo of Cluny came to Rome, Alberico II, patrician of Rome, entrusted the monastery and basilica to his congregation and Odo placed Balduino of Monte Cassino in charge. Pope Gregory VII was abbot of the monastery and in his time Pantaleone of Amalfi presented the bronze gates of the basilica, which were executed by Constantinopolitan artists. Pope Martin V entrusted it to the monks of the Congregation of Monte Cassino. It was then made an abbey nullius. The jurisdiction of the abbot extended over the districts of Civitella San Paolo, Leprignano, and Nazzano, all of which formed parishes; the parish of San Paolo in Rome, however, is under the jurisdiction of the cardinal vicar.

Transcribed by Christine J. Murray

The Catholic Encyclopedia, Volume XIII
Copyright © 1911 by Robert Appleton Company
Online Edition Copyright © 1999 by Kevin Knight
Nihil Obstat, February 1, 1911. Remy Lafort, S.T.D., Censor
Imprimatur. +John Cardinal Farley, Archbishop of New York
Reprinted by permission of copyright owner.

See New Advent Catholic Website

See also Roman Basilica Processionals [CNP Catalog #3074]

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