arold Owen is Professor Emeritus of composition, musicianship, and music history and former chairman of the department of composition at the University of Oregon School of Music.
In addition he has been the director of the University Collegium Musicum and the University Consort, a faculty ensemble devoted to the performance of early music.
He received his B.Mus. degree in 1955 and his M.Mus. degree in 1957 from the University of Southern California, both with honors.
After teaching in the public schools of Hopland, California in 1957 to 1959, he served as Composer-in-residence in Wichita, Kansas under the Contemporary Music Project sponsored by the Music Educators National Conference in 1959-60.
Owen returned in 1960 for doctoral study at the University of Southern California on a scholarship from Broadcast Music Inc, served as a Graduate Teaching Fellow the following year, then joined the USC faculty in 1962 to teach theory and composition until 1966.
He completed the DMA in composition at USC in 1972.
He became a member of the John Biggs Consort during the early 1960s and toured with the group during summers.
This association led to his establishment of the University Consort shortly after joining the faculty of the University of Oregon School of Music in 1966.
The Consort has performed regularly throughout the Northwest since then.
He remained on the faculty of the University of Oregon School of Music until his retirement in March, 2001.
He has written a large number of compositions for chorus, orchestra, wind ensemble, and a variety of solos and chamber ensembles, both vocal and instrumental.
Many of his choral works are in print as are works for organ and various chamber ensembles.
He has won several composition awards and commissions, including a string quartet for the Coleman Chamber Concerts in Los Angeles, an orchestral work, Periaktos which was commissioned by the Eugene Symphony and performed in 1978, and a work for wind ensemble commissioned for performance at the College Band Directors' National Association conference in 1985.
His commissions also include a Chamber Concerto for the Oregon Mozart Players performed in 1986, a Concerto for Tuba and Wind Ensemble premiered by the principal tubist of the Los Angeles Philharmonic in 1990, and a Mass for chorus and two string quartet premiered by the Eugene Chamber Singers in 1994.
A work for baroque ensemble, Variations on a Rondeau by Rameau was premiered in Portland, Oregon, in March, 2001.
His Concerto for Oboe and Strings, commissioned by J. Robert Moore of the University of Oregon Faculty, had its premiere in April, 2002.
Owen's textbook Modal and Tonal Counterpoint, Josquin to Stravinsky was published in 1992 by Schirmer Books, New York.
The book, now in its seventh printing, has been used widely in America and abroad.
He has developed and updated a set of course materials for tutorials in the use of Finale, a computer music notation application.
The set of tutorials has been used by many individuals and schools around the world (including translations into Russian, Norwegian, and Portugese).
His text, Music Theory Resource Book, was published in 2000 by Oxford University Press and his most recent book, Handbook for Creative Musicians, was published by GIA Publications in February, 2001.
Dr. Owen has been choirmaster at Saint Mary's Episcopal Parish, Eugene, Oregon, for more than twenty years, where he established the Philharmonia Sacra Concerts devoted to the performance of liturgical music.
He has written a large number of works for the church, many of which have been published, including anthems, organ works, two books of trumpet descants to familiar hymns, and a collection of hymn harmonizations.
Harold Owen is married to Joyce Laurie Owen and they are the parents of three children.
CanticaNOVA Publications is pleased to offer the music of Harold Owen in our catalog:
Prof. Owen's website may be found at:
Harold Owen's Home Page